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One of ways of significant improvement of quality of footwear, increase of its esthetic level is use for production of footwear of both traditional, and new materials of the most various flowers and invoices. Great opportunities also contains ornamentirovany footwear and a decor in general. It is wrong to consider that at a decor the only function is decoration of a form (clothes, footwear and an accessory. Decorating a certain site of a subject, the artist aspires will allocate it, to enter accent thus to concentrate attention on this site. The decor, an ornament are supportive applications of very tectonics, which purpose to develop, enrich, diversify art and figurative sense of a work of art.

‚ àæíûì ôàêòîðîì ïðè ñîçäàíèè êîñòþìà ßâëßþòñß àññîöèàòèâíûå ïðåäñòàâëåíèß. Ž íè ïîçâîëßþò äîñòè÷ü ðàçíîîáðàçèß âèäèìîãî îáðàçà, íîâèçíû ðåøåíèß. €ññîöèàöèß èäåé - ýòî ñâßçü ïðåäñòàâëåíèé, áëàãîäàðß êîòîðûì îäíî ïðåäñòàâëåíèå, ïîßâèâøååñß â ñîçíàíèè èëè ïðîòèâîïîëîæíîñòè äðóãîå.

The designer has to create models and collections in which the reality is reflected. The principles of composite creation of a national suit (including footwear) - the clearness of forms and lines, logicality of a konstuktion, submission of a decor to a form, function, material, a design - for the expert is an example of design approach to creation of modern samples today.

‚ ðåçóëüòàòå àíàëèçà ìîäåëåé, ïðåäñòàâëåííûõ â æóðíàëàõ ìîä, âûßâëåíû ñëó÷àè îáðàùåíèß ê ðóññêîìó íàðîäíîìó êîñòþìó. à îñíîâå èññëåäîâàíèé áûë ïîñòðîåí ãðàôèê èñïîëüçîâàíèß íàðîäíûõ òðàäèöèé â ïðàêòèêå ñîâðåìåííîãî ìîäåëèðîâàíèß.

ðè÷èíû, ïî÷åìó â îòäåëüíûå ïðîìåæóòêè âðåìåíè êîëè÷åñòâî ìîäåëåé, ñîçäàííûõ ïî íàðîäíûì ïðîòîòèïàì, âîçðàñòàåò âäâîå è äàæå âòðîå ïî ñðàâíåíèþ ñ êîëè÷åñòâîì íà ïðåäûäóùåì õðîíîëîãè÷åñêîì ýòàïå, à çàòåì ñíîâà êîëåáëåòñß â ñðåäíèõ ïðåäåëàõ, - ðàçíûå.‚ ñå îíè ñâßçàíû ñ òåìè èëè èíûìè ñîáûòèßìè â æèçíè íàøåãî îáùåñòâà. Ž äíîé èç ïðè÷èí, ñòèìóëèðóþùèõ ßâëåíèå àêòèâíîãî èñïîëüçîâàíèß íàðîäíîãî èñêóññòâà â ìîäåëèðîâàíèè â 40-õ ãîäàõ, áûëî ÷óâñòâî ïàòðèîòèçìà, óñèëåííîå ïîáåäîé â‚åëèêîé Ž òå÷åñòâåííîé âîéíå. Œîòèâû óòâåðæäåíèß íàöèîíàëüíîãî äîñòîèíñòâà íàøëè ñâîå îòðàæåíèå â ëèòåðàòóðå, äðàìàòóðãèè, ìóçûêå.‚ ïîëíå åñòåñòâåííî âèäåòü èõ îòðàæåíèå è â òàêîì âèäå èñêóññòâà, êàê ìîäåëèðîâàíèå êîñòþìà.

The revealed constructive and composite solutions of women's shirts and sundresses, combination in a traditional suit of a shirt to a sundress or ponevy are recommended to be used and transformed at creation of composition of modern dresses and sets of clothes.

‚ òîðàß ïðè÷èíà - ßâëåíèå äîâîëüíî ïðîòèâîðå÷èâîå â ñâîèõ ïîñëåäñòâèßõ - òåíäåíöèß áîðüáû ñ êîñìîïîëèòèçìîì. òà òåíäåíöèß êîñíóëàñü è îáëàñòè ìîäåëèðîâàíèß îäåæäû è ñûãðàëà ðîëü, óñèëèâ èçîëßöèþ íàøåãî ìîäåëèðîâàíèß îäåæäû îò çàïàäíîåâðîïåéñêîãî îïûòà, íà÷àòóþ âòîðîé ìèðîâîé âîéíîé. Œîäåëèðîâàíèå îäåæäû â òâîð÷åñêîì îòíîøåíèè âûíóæäåíî áûëî ïèòàòüñß òîëüêî ñîáñòâåííûìè ðåñóðñàìè. àèáîëåå äîñòóïíûì èñòî÷íèêîì äëß òâîð÷åñêèõ èäåé ßâèëîñü íàðîäíîå èñêóññòâî, ïðåäñòàâëåííîå áîãàòåéøèìè ýêñïîíàòàìè íàøèõ ìóçååâ è âûñòàâîê. àçâèòèå ìîäåëèðîâàíèß â íàøåé ñòðàíå áûëî îãðàíè÷åíî îòñóòñòâèåì øèðîêîé ñâßçè ñ çàðóáåæíûìè ñòðàíàìè. òî ñëåäóåò ñ÷èòàòü îòðèöàòåëüíûì ßâëåíèåì. Ž äíàêî îíî ñûãðàëî è ïîëîæèòåëüíóþ ðîëü, îòêðûâ âîçìîæíîñòè íàðîäíîãî êîñòþìà êàê òâîð÷åñêîãî èñòî÷íèêà.

Šîëëåêöèè ðóññêîãî íàðîäíîãî êîñòþìà, õðàíßùèåñß â ôîíäàõ ìóçååâ, îòêðûâàþò ïåðåä ñïåöèàëèñòàìè ïðåêðàñíîå íàðîäíîå èñêóññòâî, ßâëßþòñß ñâèäåòåëüñòâîì íåèññßêàåìîé ôàíòàçèè ðóññêèõ ëþäåé, èõ òîíêîãî õóäîæåñòâåííîãî âêóñà, èçîáðåòàòåëüíîñòè è âûñîêîãî ìàñòåðñòâà. îæàëóé íè îäíà ñòðàíà â ìèðå, íè îäèí íàðîä íå ðàñïîëàãàåò òàêèì áîãàòñòâîì òðàäèöèé â îáëàñòè íàöèîíàëüíîãî íàðîäíîãî èñêóññòâà, êàê îññèß: ìíîãîîáðàçèå ôîðì è îáðàçîâ, íåîáû÷íîñòü êîíñòðóêòèâíî-êîìïîçèöèîííûõ ðåøåíèé, êðàñî÷íîñòü ýëåìåíòîâ è âñåãî êîñòþìà â öåëîì, èçßùåñòâî è íåïîâòîðèìîñòü äåêîðà è îñîáåííî âûøèâêè. òî áîëüøîé è óâëåêàòåëüíûé ìèð, îáëàäàþùèé íåèññßêàåìûìè æèçíåííûìè ñèëàìè äëß ñîâðåìåííèêà. òî - ñâîåîáðàçíàß àêàäåìèß çíàíèé è òâîð÷åñêèõ èäåé äëß ñïåöèàëèñòîâ ñîâðåìåííîãî êîñòþìà.

ðè àíàëèçå ãðàôèêà îòìå÷àåòñß íåêîòîðàß öèêëè÷íîñòü - ïîñëå ïåðèîäîâ óâëå÷åíèß ôîëüêëîðíûì ñòèëåì íàñòóïàþò ñïàäû, ïåðèîäû "óñòàëîñòè". èêè ñîîòâåòñòâóþò êðóïíûì îþùåñòâåííî-ïîëèòè÷åñêèì ñîáûòèßì, ôåñòèâàëßì.